Interdisciplinary
Z. Rajabi; A. Fahiifar
Abstract
The inner connection of Persian poetry and literature with painting, which shows commonality in imagination and images, has caused these two domains to have deep attachment and provide a common language and expression to describe forms and meanings of the imaginary world. Iranian poets and painters have ...
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The inner connection of Persian poetry and literature with painting, which shows commonality in imagination and images, has caused these two domains to have deep attachment and provide a common language and expression to describe forms and meanings of the imaginary world. Iranian poets and painters have used special verbal and visual tools to convey these forms and meanings. This article, with emphasis on metaphor, discusses its role and expressive ability in poetry and painting. In the process, the paper seeks to answer: 1- What are the expressive effects of metaphor in Iranian poetry and painting? 2- How have painters used the capacity of metaphor in their visual expression? The purpose of this article is to study the relationship between the two cultural domains of Iran i.e. poetry and painting, and explain their commonalities, that is, in the world of imagination and images. Another purpose is to identify the type of metaphors and their visual kinds in paintings. This is a descriptive-analytical research in which data have been collected through library and documentation centers. The data indicate that metaphor used in Persian poetry in the form of words and sentences explicitly and implicitly transferred to Iranian painting. In other words, painters expressed these metaphors visually in the form of shapes, colors and textures and thus introduced a new visual identity to express themes.
Cultural Studies
A. Heydari; A. Khodaei
Abstract
Our concern is with the image of the west in the first Iranian travelogues. How Elements which shape the west image in these travelogues are assembled? Where is their origin? How they interact with each other and were narrated? The contemporary image of the west is an over-determined and dreamlike image-narration. ...
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Our concern is with the image of the west in the first Iranian travelogues. How Elements which shape the west image in these travelogues are assembled? Where is their origin? How they interact with each other and were narrated? The contemporary image of the west is an over-determined and dreamlike image-narration. By relying on concepts such as over determination, different histories, elements, and moments, we try to suggest an interpretation about the structure of west narration in primary Iranian travelogues. Our research suggests the idea of the west, in mystical and Sufi doctrine, represents a sequence of association: material-body-darkness-descend-temptation-guilt-accident. The idea of the east associates the opposite side of sequence: sprit-gust-light-ascend-certainty-virtue-essence. These sequences of associations are preconditions of visibility which the first travelogues experience the geopolitical west. Our research about the origins of the narrative structure of travelogues about the west suggests that synthesis of the colonial and the mystical thoughts create a special narration about the east-west relation. East is the ascending arc and west is the descending arc. This image of east-west relation is one of the main assumptions of orientalism.
